![]() In fact with 27 output busses, each containing parametric and graphic EQ, he has a near endless ability to zone different areas, set delay times, assign record groups and monitor sends. The desk provides him with a highly flexible mixing environment he says - notably because of its zoning and monitor capabilities. “Inside the desk structure I use the snapshots to recall the different band mixes and when a new band comes through I recall a ‘line check’ snapshot which provides me with a clean slate to work from,” he says. Hark also provided a Vi6 and Vi1 at Green Man’s second stage (the Far Out Tent).įor many of the repeat performances Bishop can simply dial up the stored show mix. This time around the Soundcraft Vi4 had been sub-hired in from Mark Hornsby’s PA company Hark, with whom the sound engineer has a close relationship. “The Soundcraft Vi is my weapon of choice,” said Bishop, who last year took Soundcraft’s original Vi6 digital desk around the festival circuit. ![]() Green Man has become one of Chai Wallahs’ more recent destinations, and after their debut last year, this summer they were again out in force, with London-based sound engineer Harry Bishop piloting a Soundcraft Vi4™ in the 800-capacity tent. It also provides its own chill area in the form of a unique café bar. Inside the organic-looking structure a selection of the UK’s finest underground talent and established Afro-beat, Funk and Reggae artists perform alongside DJs in a free-form mix, with the emphasis on acoustic music earlier in the day. Founded three years ago by Si Chai, today, Chai Wallahs attend a number of summer calendar events - including Green Man in the Brecon Beacons - and are quickly becoming seek-out destinations.
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